The Man Without Content (Meridian: Crossing Aesthetics)

Giorgio Agamben


In this e-book, one in every of Italy's most crucial and unique modern philosophers considers the prestige of paintings within the smooth period. he is taking heavily Hegel's declare that artwork has exhausted its non secular vocation, that it's now not via artwork that Spirit mostly involves wisdom of itself. He argues, besides the fact that, that Hegel in no way proclaimed the "death of paintings" (as many nonetheless think) yet proclaimed quite the indefinite continuation of paintings in what Hegel referred to as a "self-annulling" mode.

With miraculous breadth and originality, the writer probes the which means, aesthetics, and historic outcomes of that self-annulment. In essence, he argues that the start of contemporary aesthetics is the results of a sequence of schisms—between artist and spectator, genius and flavor, and shape and topic, for example—that are manifestations of the deeper, self-negating but self-perpetuating circulate of irony.

Through this idea of self-annulment, the writer deals an ingenious reinterpretation of the heritage of aesthetic idea from Kant to Heidegger, and he opens up unique views on such phenomena because the upward thrust of the fashionable museum, the hyperlink among paintings and terror, the usual affinity among "good flavor" and its perversion, and kitsch because the inevitable future of paintings within the glossy period. the ultimate bankruptcy deals a stunning interpretation of Dürer's Melancholia within the phrases that the publication has articulated as its own.

The guy with out Content will obviously curiosity those that already prize Agamben's paintings, however it also will make his identify suitable to a complete new audience—those concerned with artwork, artwork historical past, the heritage of aesthetics, and renowned culture.

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