Music After Deleuze (Deleuze Encounters)

Edward Campbell


Music After Deleuze explores how Deleuzian options supply attention-grabbing methods of puzzling over a variety of musics. The thoughts of distinction, id and repetition supply novel techniques to Western artwork track from Beethoven to Boulez and Bernhard Lang in addition to jazz improvisation, well known and sacred song. The innovations of the ‘rhizome', the ‘assemblage' and the ‘refrain' allow us to consider the specificity of musical works because the assembly of effective forces, for instance within the modern opera of Dusapin and the experimental tune theatre of Aperghis. The techniques of delicate and striated house shape the place to begin for musical and political reflections on pitch in Western and japanese tune. Deleuze's inspiration of time as a number of illumines the specific conceptions of musical time present in Debussy, Messiaen, Boulez, Carter and Grisey. eventually, the leading edge semiotic concept solid in Deleuze-Guattarian philosophy bargains priceless insights for a semiotics in a position to attractive with the leading edge, molecular song of Lachenmann, Aperghis and Levinas.

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